Gimme Shelter

I have lived my life full of longing to leave one place for another only to find myself after a time longing to go back.

Perhaps the pattern started in my childhood. The son of a Methodist minister, I moved every four to six years. But the pattern became my way of life when I started making my own decisions.  I left one college for another only to go back to the first. I left my first newspaper job for graduate school only to go back to the newspaper job. When I went through a divorce, I had a yearning for home and headed for Tennessee. I worked on a newspaper in Memphis for a year before heading off to graduate school at Southern Illinois University. I was there three years but almost left every year. Finally, I settled in Milwaukee. I spent the first three years looking for a way out before the city captured me. I was there for seven years, and I yearned to go back for a long time after. I spent the next eight years at the University of Utah until another divorce and another case of homesickness brought me back to Tennessee, this time Nashville. I thought I would stay in Nashville the rest of my life, but after a good ride at Middle Tennessee State University, the university had a major administrative change and I no longer felt I fit. Through the good graces of a former graduate student, I was able to go to Loyola Chicago. I loved the students there, but the administration treated me like I was starting over again and created more hoops than a man 60 years old ought to jump. I headed back to my job in Tennessee for a couple of years, but I loved Chicago so much I kept my primary residence there.

I am very good at complicating my life, and I am on the verge of doing it again, moving back to Chicago while keeping a small place in Nashville, for a little while at least. This move has made me remember all the moves but particularly the one I wrapped in songs. That was the one from Milwaukee to Salt Lake City in 1983. The University of Utah had offered me an excellent job in a program with a top ranked graduate division. It was the first place to ever offer me a job in large part for my intellectual strengths. I accepted the position eagerly.   But as one of my favorite Leonard Cohen songs suggests, what looks like freedom can feel like death. The contrast between my waking life and my dream worlds as the move approached was out of Blue Velvet. In the daylight, I smiled and slapped my leg and said how glad I was to go. My dreams and fantasies told a darker, more tortured story. I coped with the duality of these feelings by compiling a list of songs. For the road? No, not that road. The songs were for the end of the road, my death.

As the summer went on, my songs or “the funeral list,” as I called it, evolved into a full-blown fantasy that included a service, mourners and a few remarks. My wife and I both hated to leave Milwaukee.  At first, we had thought of the city as a stopover. Barb believed we wound up there because I hated to fly and I could drive to the interview. It was a sleepy department in a building about ready to fall down that hadn’t made a hire in years. I was the only assistant professor. I liked some of the faculty members, but the biggest hook was that I thought it was a place I could have a role in helping to build something. The city had all the advantages of a big city, excellent museums, a wonderful park system, big league sports teams and, like Chicago, a shoreline on Lake Michigan.  It had been a city built by working men and women, and its politics still reflected that. The Socialist Party had been strong in Milwaukee, and until the 1960s, the city had a Socialist mayor. We arrived in the mid-70s, but you could still feel the winds of the 60s blowing through the city.

Milwaukee did have its downside.  Though it was large, it was a provincial city and a hard place for newcomers to get a toe hold. Tucked away from the major transportation lines, it was a city long on residents with deep roots to the city or rural Wisconsin and short on the kind of strangers who come and go and contribute to cities being more fluid. In Milwaukee, people remained connected to the people with whom they had attended high school and college and to the ethnic traditions they grew up in.  We felt out of place at first, but somewhere along the way, I fell in love with my students, tough kids mostly from working class neighborhoods, and I worked hard to help build a better department. Barb completed a master’s degree and found a job she liked working in public access cable. This was back in the day when it was still possible to dream a little dream about cable as a democratic force.  We both developed friendships and ties, and we fell in love with the city’s basketball team, the Milwaukee Bucks, or as we thought of them, “Don Nelson’s Bucks.”  We had season tickets for five seasons and watched a team almost good enough to win a championship climb and climb, but never quite get over the hump.

The city and the university proved much harder to leave than I thought when, hurt and angry from a bruising but successful promotion and tenure year, I said yes to a very good job in a highly ranked department at the University of Utah.  I was proud of the achievement. It was wonderful to wear, but when I came home and took my clothes off, the move filled me with dread. There were a lot of good reasons to stay: Barb had a full fellowship to work on her Ph.D. at the University of Michigan and promises of support at the University of Wisconsin and Northwestern as well. I had taken the lead in recruiting good young faculty to our program who had stood by me during a dreadful year and were expecting me to become chair of the department.

Still, I see now that I had too much of the wrong kind of pride and would hurt myself and everyone who cared about me to exercise it. I had been taught better.  My father was a humble man, more of a healing minister than a builder or orator. His obituary captured this dimension of his life like this: “Imbued with a rare talent, Reverend Eason had mastered the art of living in brotherly love with his fellowman.” When he was nearby, I felt that I was learning a bit of that art as well. But after he died, I developed an exaggerated, if fragile, sense of myself.  The threat of defeat at one university tore a hole in that image. I had to reclaim it somehow. I imagined that I was open to counter arguments, but I really wasn’t and my wife and friends knew that. I had become one of those guys you can’t tell anything, a master of “You can’t do that to me. I won’t stand for it.”

The only problem was that my unconscious mind wasn’t with me on this decision, and it kept me thinking about death rather than new life. The song list, and plans for my memorial, though full of serious ideas, kept these dark thoughts playful.  The service was to take place at my favorite tavern, Tony’s on South Second, where some students late in the summer actually held a going-away party for me. In my fantasy, the small room was packed with true blue friends. No one attended in an official capacity. There were some wonderful testimonials to me as a teacher, friend and thinker and though my bones were in a small container near the tap beer, I floated somewhere above the bar, in tears at what a wonderful person others believed me to be.

The songs were the centerpiece of it all. I imagined them sung live and thought my friends Mark Lucius and Terry Perry could handle them. At some point, I thought people might take up a collection to bring Steve Young there. The list kept changing, but here are a few of the songs and some of the important lines that I remember:

So have all of your passionate violins

Play a tune for a Tennessee kid

Who’s feeling like leaving another town

With no place to go if he did

Cause they’ll catch you wherever you’re hid

“Brand New Tennessee Waltz” by Jesse Winchester

This song grew out of Winchester’s flight to Canada during the Vietnam War. I identified with his sense of being hunted and hounded in 1969, but the feeling had continued for me long after the war was over.  Its origins were probably in the prying eyes small towns turned on the minister and his family in the 1950s. I had grown up in a fish bowl that it usually took more than music to make disappear.

. . . The early dawn cracks out a carpet of diamonds

Across a cash crop car lot filled with twilight Coupe Devilles

Leaving the town in a-keeping

Of the one who is sweeping up

The ghosts of Saturday night . . .

“The Ghosts of Saturday Night” by Tom Waits 

This song reflects my urban romanticism and celebrates the liberation inherent in city life. I came to believe that I had found my greatest freedom in bars like Tony’s.  I would always carry a heart full of nights when I closed the place and drove home through a city that seemed to have been asleep for hours.

There were others, a John Prine song “Please Don’t Bury Me” to add a little humor, Gram Parsons’ “Wheels” to add a sense of movement, and a traditional spiritual “Peace in the Valley” to suggest some final resolution.

The only recorded piece of music was Nina Simone’s almost 19-minute version of George Harrison’s “My Sweet Lord,” a version where she adds many gospel flourishes and inserts a poem near the end by Last Poet member David Nelson titled “Today is a Killer.” Harrison’s version of the song is that of a man on a spiritual path and is therefore a song of great faith. Nina Simone turns the song into an agonizing call for a hidden God to reveal himself. The song moves from crescendo to crescendo in intoxicating rhythm. The phrase, “Won’t you show yourself Lord?” — repeated again and again–is the most succinct statement of the song’s plea. God must show himself in the words of Nelson’s poem, because “Today is a Killer.” Simone uses the words of this poem, sung alone with only her piano, to slow the song down and amplify her themes:

I often sit there at the sea and dream dreams

and hope hopes and wish wishes,

as I listen to the wind song dance for me.

But these moments never seem to last too long

because after the hopes, the dreams and the wishes,

after the singing of the dancing wind,

after you and me in a stolen moment of happiness,

after a glimpse of the timeless natural universe

moving in evanesce, moving in evanesce

moving in startling beauty

comes the reality of today

grinning its all-knowing fiendish grin

knowing everything I say

everything I feel

everything I think

every gesture that I make

today, today,

pressing his ugly face against mine

staring at me without life in his eyes . . .

Because today is a killer.

Today is a Killer by David Nelson

She adds “and only you can save us lord” as a transition back to Harrison’s lyrics. After what seems a journey through a hellish god-less world, the song ends with a powerful Hallelujah.

Back then, I thought I was a person who knew what was happening in me so I didn’t really explore the fantasy. Mostly, I just made a joke of it. Now I wonder, what was driving this drama? Was I merely reveling in my own sense of importance? Was it the return of my childhood fear of death? Was it just separation anxiety, a fantasy to tame my fear of the unknown? The answer I have settled on is that it was an act of mourning for a part of myself I feared I was losing.  My childhood had prepared me to perform a self that was expected of me. Ever since my father’s death, I had struggled against the artifice of that life, naively believing I could easily find a persona that was really me. My teaching position in Milwaukee had allowed me to simultaneously have the status of being a professor but also to fancy myself as a bohemian rebel.  My tenure battle had taught me that maybe it was impossible to live this dual life.  And the promise of Utah, an excellent academic department that offered to support me in ways I had never imagined, had to be balanced by a loss of personal freedom as I would have to fit into a department organized around cocktail parties in suburban homes, going to athletic events as a group in the university’s colors, and a score of other sacramental social events such as the annual soft ball game between the faculty and graduate students. Was a part of me that I felt was central to my sense of being going to have to be sacrificed?

Autumn came and I moved to Utah, leaving Barb in Milwaukee to sell our house. The university was wonderful in the ways I had anticipated and a struggle for me in the ways I feared. I drank more and more to hold it together or to imagine I was. But sometimes even strangers saw right through me.  On a flight back from Memphis, two years into our stay, I encountered one such person. She was going from Memphis to a professional meeting in Denver. I was heading back to Salt Lake from a professional meeting.  I was drinking straight gin, my sedative of choice when flying. We began a casual conversation that revealed more of our thoughts and feelings as the flight went on. This was not romantic foreplay. It was just a very intimate personal conversation between two people who would never have to face the consequences of anything we told each other. I don’t remember what I told her or what she told me. I suspect I talked the most. All I remember is that by the time she got up to go, I felt very naked. She had a tender, quality and seemed to be as touched by the conversation as I was. When she stood up to get off the plane, she looked down at me and said softly but fondly:  “I will always remember this plane ride with the saddest man I have ever met.” I felt both recognized and ashamed.

A couple of years later I stopped drinking and started the long process of changing my life. I didn’t make these changes fast enough to save my marriage or save either of us from some difficult emotional times. The world didn’t change magically, at least not for long. Still, I left Utah in 1990 with a clearer head and saw that road stretching from Salt Lake City to Nashville as one of possibility, not of death.

That one trip, of course, didn’t mean the end of wanting two things at once as my movement between Nashville and Chicago in the last 10 years attests.  I have given up predicting where I will be next or for how long. I am keeping one foot in Tennessee by holding onto a small place to stay when I’m here. But who knows? In five years I could be in two new towns or have added a third. I am not a road warrior. I don’t like the in-between.  I have come to think of myself as a transient in residence, a person who likes to burrow into the fabric of everyday life but never manages to stay long enough to see what the cloth turns out to be. If there is an afterlife, I hope it has many realms and that there is a special place for people like me where we can request reassignment periodically or at least move between realms. Surely such souls could come in handy where other lost souls continued to kill themselves again and again.

If it be your will

If there is a choice

Let the rivers fill

Let the hills rejoice

Let your mercy spill

On all these burning hearts in hell

If it be your will

To make us well.

Leonard Cohen, If It Be Your Will

(A number of writers offered support and suggestions on this one. I am particularly grateful to Lynne Butler, Bonny Holder and Barbara Bennett.)

27 thoughts on “Gimme Shelter

  1. When I revised this entry, I lost some wonderful quotes, one from Ruth Holt, whom I never hear from much, and one from Rob Drew, who always seems to say so much in so few words were among them. Please all of you who comment, please continue. It means a lot.

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  2. This narrative makes me feel so sad for you, David. I persistently imagined people visiting me as I lay dying when I was in one of the most depressed periods of my life. Ironically, my transitioning and moving to Milwaukee (which involved meeting you) led to my healing. I thought I knew you during this time, yet I guess I did not. A poignant yet jarring account. Great musical allusions.

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    • You shouldn’t read it like that. You should read it as a story about a guy that occurred a long time ago. I have some perspective on it now and that is a grace as is my desire to talk openly about my life. Hate to think I am making you sad.I see my blog as a kind of victory over sadness, albeit a strange victory.The struggle to tell the story creates a kind of distance from events that held me down for a long time. I am always going to have a streak of melancholy, but I see that as my nature and not something that can be worked through. You were involved in Ph.D. work and then you were in Cleveland and I was in Salt Lake. We didn’t see each other much.

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  3. David,

    I liked the way you changed the beginning – speaking in terms of longing as relates to your moving.

    And noticed the ending was different. To me – much better. The song you used – much more gripping.

    Could not really see or sense the exact other changes. Without printing them out . Maybe some things left out or rearranged?

    Have been dealing with some kind of bug today and feeling poorly so may have affected my giving a more detailed analysis .

    Because , to me, with or without changes, it is very effective .

    Sent from my iPad

    >

    Liked by 1 person

    • I mostly tried to make the writing more efficient, to put longing up front, and to offer an explanation about what the obsession with dying was about, which I thought gave it greater closure. The new song at the end just seemed more appropriate given the other changes I had made. Thanks.

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      • May I quote you? “You worry way too much”! I’m not a writer but do think the new version flows better and I can’t wait for all your blogs to be published in a book. You won’t need to worry about typos because you will have an editor for that.
        😘

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  4. Peggy, these days book editing is so terrible that you never know. I did get very good editing at the Oxford American and at the Smithsonian. With the blog, a lot of the typos remain because I refuse to let the work set a few days after I complete it. I hurry it onto the blog too often. Trying to learn a little more restraint.

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  5. So there I was, rafting down that turbid river with you when I got snagged on a phrase, “moving back to Chicago.” Turbid: thick or opaque with matter in suspension. Now I feel like I’m holding my breath, thinking, “What could happen in Chicago?” I was there for a short, lonely time, 1967-68, and have mixed memories, mainly how self-involved I was, wanting the freedom of youth so bad I left my wife and son. My wife at the time could take care of herself, my son could not, and the visits to him were short and painful. I lived in Pontiac, Michigan, remarried, when Harry Chapin’s “Cat’s in the Cradle” came out: “And the cat’s in the cradle and the silver spoon / Little boy blue and the man on the moon / When you comin’ home, Dad / I don’t know when, but we’ll get together then…” My son and daughter were in my charge during that time, but that did nothing to salve my conscience. Both eventually went back to live with their mother and at the center of their decision was, once again, my own self-absorption. As the author David Foster Wallace wrote, “Act in haste, repent at leisure.”

    I’ve come to think of Chicago as a place that’s self-absorbed, too. It would love to jettison its Upper MIdwest limitations and become New York on Lake Michigan. Of course, it can boast of being the home of Saul Bellow and the backdrop of much of his fiction. It’s maybe a city too busy to much care what you’re doing, and so a place where you can get work done. But if you struggle enough, Chicago will come out of its trance and notice you. That, at any rate, is how I now think of the place.

    None of this, I realize, is a commentary on “Gimme Shelter.” And, yes, I should write my own damn blog if I want to spin sad tales of my life and times. But I can’t be faithful to a blog, either, it seems.

    I ask your indulgence and thank you for letting me blather on.–Dean

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  6. I always feel successful when my story calls up another and you are a gifted storyteller. There are places and then there is time and we all hit them at some crossroads of the two that creates its own world. I like the Upper Midwest and prefer its cities to New York, but I have a theory that I am a central standard time guy and if you get me out of that time zone I go to ruin faster. Now you know why I am not a scientist. Good to hear from you. I will send them all out twice if it means I get to hear from you.

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  7. I noticed you tied up the end musing about what an afterlife could be like for people who are “transients in residence” with a beautiful line: a person who likes to burrow into the fabric of everyday life but never manages to stay long enough to see what the cloth turns out to be. Not sure if that was in the first version. I actually have a bit of that myself. In fact, I’ve never stayed in one city longer than 8 years. In fact, exactly 8 in each city. I have watched my sisters’ families benefit from longevity in one spot and wonder what if. I don’t have the kind of memory that could tell you what it was specifically that you changed, but this one felt tighter, which happens when we edit and reedit for sure. And no typos : ) Can’t wait for you entries about Chicago. I long to live there again, but know I never will. I’m sticking out this Madison life until someone compiles my funeral list for me.

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    • I always like your comments. Most of thematic changes had to do with making sense of the theme of death, That what’s all the stuff about being able to live as a bohemian and as a professor was about. I also cut the first paragraph, cut a dream paragraph, straightened out a lot of “when is this?” problems between then and now, Dropped a song quote and edited others and then added the LC quote at the end for stronger statement of theme. And passed the typo test. I am sure you must have missed one. I am looking forward to talking to you face to face when I am in Chicago. And it sounds like you have a wonderful life in Madison, that you have found your place. Sometimes even restless souls like us have to accept that.

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      • When I was a reporter, my editor said I was one of a handful of writers who could edit themselves. That is a difficult and rare talent, and I am happy to see that you have it, too. Later I was a book editor for 3 years, so her vision sort of came true

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    • Feel free to run it past me. Not only was I a book editor, but I was the only candidate for position who found an error on the company’s editing exam. They were surprised that I was correct. I was hired.

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  8. Dr. Eason: My name is James Hearn, and I was a student of yours in the master’s program at MTSU from 2001 through 2003. We liked to talk music and ran into each other at the Jay Farrar acoustic show at the Belcourt while I was a student. I’m also from Jackson and grew up in the Methodist church there.

    Happy to see that you’re still writing. You taught me a lot in a short amount of time. Thanks for everything.

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  9. David I understand a lot of what this means and says. Especially the desire to move and longing to move back, then move again. During the years i spent in the military, this became natural to me and now I find it to be a part of me. Most of my younger life I couldn’t wait to get away from Hickman. Don’t get me wrong, I’m glad i did, however, I was always seeking a new location, I guess hoping for new or better experiences. I believe the search for what felt right for me was and is still the big issue. I’ve always had problems fitting in and I think the moving sometimes makes it easier to try again in a new location or returning to a location where one feels most comfortable. I know there is a lot more to this story, but this portion really mirrored how I am and feel much of the time.

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    • I have felt this, too. Then, there is the saying, “Wherever you go, there you are.” After a lifetime of never feeling like I fit in — traced I know back to age 9 when my mother died on Christmas morning — I’ve accepted that I seldom feel like I fit in. (Occasionally, I do.) You can never move away from yourself.

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  10. Dave: Act with pace will keep your Grace. You thought you thought you were going down a straight road, a perssonal road or at least to a specific place. Just take along the best companions like in Canterbury Tales

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